Hokusai is one of the most popular and imitated artists of all time, and created much of his brilliant work in later life. Our Research and Policy Manager Dr. Kellie Payne visited the Hokusai exhibition at the British Museum after an invite from The Age Friendly Museums Network – who believe that museums have the power to enrich the lives of older people.
Hokusai is a Japanese artist best known for his woodblock print produced in the 1830s called The Great Wave off Kanagawa, often referred to as The Great Wave. The print features two boats being swallowed by a gigantic crashing wave that takes up most of the foreground of the image. In the background is the silhouette of the monumental Mt Fuji, which is outsized by the immense surge of water. Apparently it is one of the most copied images of all time.
After the Great Wave
Hokusai is featured in a current exhibition at the British Museum entitled After the Great Wave which presents Hokusai’s work created after the age of 70. He was in his sixties when he created the Wave and one of his most prolific periods as an artist after the age of 70. Hokusai is known to have said:
“From the age of 6 I had a mania for drawing the shapes of things. When I was 50 I had published a universe of designs. But all I have done before the age of 70 is not worth bothering with. At 75 I’ll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80 you will see real progress.
At 90 I shall have cut my way deeply into the mystery of life itself. At 100, I shall be a marvellous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign myself ‘The Old Man Mad About Drawing’.”
Age friendly museums
Hokusai made it to the age of 88 and continued to practice his art his entire life. The exhibition at the British Museum celebrates the work of an artist in their later life. I was able to visit the sold out exhibition at a viewing hosted by Age Friendly Museums Network which is based at the British Museum.
The Age Friendly Museums Network was setup to develop collaboration between people in the museums, galleries and arts industries alongside others from health and social care, the voluntary sector, researchers and older people. They believe museums and older people enrich each other, and that ageing is something everyone shares.
They aim to:
- encourage and support the museum sector to be more age friendly
- connect the museum sector to other sectors in an attempt to support age friendly communities
- advocate on behalf of museums as natural, local partners for the third sector, health and social care and charities which work with and for older people
- explore how an ageing demographic could affect the museum sector
- explore and critique how museums represent ageing
The exhibition celebrates the notion, which is championed by the network, that the arts can enhance later life and many artist flourish in their later life. By seeing how some of his best work was created in his seventies and beyond the exhibition illustrates the point well.